{"id":5359,"date":"2026-06-23T13:40:40","date_gmt":"2026-06-23T13:40:40","guid":{"rendered":"https:\/\/paintingqueen.art\/?post_type=product&#038;p=5359"},"modified":"2026-06-23T20:59:23","modified_gmt":"2026-06-23T20:59:23","slug":"sloth","status":"publish","type":"product","link":"https:\/\/paintingqueen.art\/es\/tienda\/year\/2026\/sloth\/","title":{"rendered":"Sloth (The Sweet Temptation of Dreams)"},"content":{"rendered":"<p data-start=\"1990\" data-end=\"2258\">In <em data-start=\"1993\" data-end=\"2000\">Pereza<\/em>Painting Queen reinterpreta uno de los pecados capitales desde una mirada po\u00e9tica y contempor\u00e1nea. La obra combina la riqueza ornamental del Barroco con la fragmentaci\u00f3n geom\u00e9trica del Cubismo para construir una figura suspendida entre el sue\u00f1o y la realidad.<\/p>\n<p data-start=\"2260\" data-end=\"2598\">Una arist\u00f3crata sin cabeza ocupa el centro de la composici\u00f3n. Del cuello vac\u00edo emerge una gran nube poblada por ovejas adormecidas, estrellas y formas cristalinas que evocan pensamientos errantes, fantas\u00edas y estados de enso\u00f1aci\u00f3n. La ausencia de la cabeza transforma a la figura en un espacio mental donde los sue\u00f1os han reemplazado a la acci\u00f3n.<\/p>\n<p data-start=\"2600\" data-end=\"2920\">La m\u00e1scara que sostiene y el rostro dormido integrado en el vestido remiten a los diferentes estados de conciencia, a las identidades que construimos y a la tentaci\u00f3n de refugiarnos en mundos interiores. Lejos de representar \u00fanicamente la inactividad f\u00edsica, la obra explora la pereza como una forma de desconexi\u00f3n emocional y psicol\u00f3gica, un abandono voluntario de la realidad.<\/p>\n<p data-start=\"2922\" data-end=\"3160\">Part of <em data-start=\"2930\" data-end=\"2953\">Parte de la serie Los Siete Pecados Capitales,<\/em> esta pintura refleja el lenguaje visual caracter\u00edstico de Painting Queen: figuras aristocr\u00e1ticas teatrales, simbolismo barroco, referencias a la identidad y una fusi\u00f3n entre tradici\u00f3n y contemporaneidad.<\/p>\n<p data-start=\"3162\" data-end=\"3192\">","protected":false},"excerpt":{"rendered":"<p data-start=\"1990\" data-end=\"2258\">In <em data-start=\"1993\" data-end=\"2000\">Pereza<\/em>Painting Queen reinterpreta uno de los pecados capitales desde una mirada po\u00e9tica y contempor\u00e1nea. La obra combina la riqueza ornamental del Barroco con la fragmentaci\u00f3n geom\u00e9trica del Cubismo para construir una figura suspendida entre el sue\u00f1o y la realidad.<\/p>\n<p data-start=\"2260\" data-end=\"2598\">Una arist\u00f3crata sin cabeza ocupa el centro de la composici\u00f3n. Del cuello vac\u00edo emerge una gran nube poblada por ovejas adormecidas, estrellas y formas cristalinas que evocan pensamientos errantes, fantas\u00edas y estados de enso\u00f1aci\u00f3n. La ausencia de la cabeza transforma a la figura en un espacio mental donde los sue\u00f1os han reemplazado a la acci\u00f3n.<\/p>\n<p data-start=\"2600\" data-end=\"2920\">La m\u00e1scara que sostiene y el rostro dormido integrado en el vestido remiten a los diferentes estados de conciencia, a las identidades que construimos y a la tentaci\u00f3n de refugiarnos en mundos interiores. Lejos de representar \u00fanicamente la inactividad f\u00edsica, la obra explora la pereza como una forma de desconexi\u00f3n emocional y psicol\u00f3gica, un abandono voluntario de la realidad.<\/p>\n<p data-start=\"2600\" data-end=\"2920\"><em data-start=\"1333\" data-end=\"1361\">\u00d3leo sobre lienzo, 100 \u00d7 70 cm<\/em><br data-start=\"1361\" data-end=\"1364\" \/><em data-start=\"1364\" data-end=\"1395\">Parte de la serie Los Siete Pecados Capitales,<\/em><\/p>\n<p data-start=\"2922\" data-end=\"3160\">Part of <em data-start=\"2930\" data-end=\"2953\">Parte de la serie Los Siete Pecados Capitales,<\/em> esta pintura refleja el lenguaje visual caracter\u00edstico de Painting Queen: figuras aristocr\u00e1ticas teatrales, simbolismo barroco, referencias a la identidad y una fusi\u00f3n entre tradici\u00f3n y contemporaneidad.<\/p>\n<p data-start=\"3162\" data-end=\"3192\">","protected":false},"featured_media":5358,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_joinchat":[]},"product_brand":[],"product_cat":[356,325,355,318,327,335],"product_tag":[],"class_list":["post-5359","product","type-product","status-publish","has-post-thumbnail","product_cat-356","product_cat-baroque","product_cat-cubism","product_cat-oil","product_cat-surrealism","product_cat-the-seven-deadly-sins","desktop-align-left","tablet-align-left","mobile-align-left","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sloth (The Sweet Temptation of Dreams) - Painting Queen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/paintingqueen.art\/es\/tienda\/year\/2026\/sloth\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sloth (The Sweet Temptation of Dreams) - Painting Queen\" \/>\n<meta property=\"og:description\" content=\"In Sloth, Painting Queen reinterprets one of the seven deadly sins through a poetic and contemporary lens. The painting combines the ornamental richness of the Baroque with the geometric fragmentation of Cubism, creating a figure suspended between dream and reality. A headless aristocratic woman occupies the center of the composition. From the empty neck emerges a large cloud populated by sleeping sheep, stars, and crystalline forms that evoke wandering thoughts, fantasies, and dreamlike states. The absence of the head transforms the figure into a mental landscape where dreams have replaced action. The mask she holds and the sleeping face embedded within the gown allude to different states of consciousness, constructed identities, and the temptation to retreat into inner worlds. Rather than depicting mere physical laziness, the work explores sloth as a state of emotional and psychological withdrawal from reality. 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