{"id":5359,"date":"2026-06-23T13:40:40","date_gmt":"2026-06-23T13:40:40","guid":{"rendered":"https:\/\/paintingqueen.art\/?post_type=product&#038;p=5359"},"modified":"2026-06-23T20:59:23","modified_gmt":"2026-06-23T20:59:23","slug":"sloth","status":"publish","type":"product","link":"https:\/\/paintingqueen.art\/de\/tienda\/year\/2026\/sloth\/","title":{"rendered":"Sloth (The Sweet Temptation of Dreams)"},"content":{"rendered":"<p data-start=\"1990\" data-end=\"2258\">In <em data-start=\"1993\" data-end=\"2000\">Tr\u00e4gheit<\/em>interpretiert Painting Queen eine der sieben Tods\u00fcnden auf poetische und zeitgen\u00f6ssische Weise neu. Das Werk verbindet die ornamentale Pracht des Barock mit der geometrischen Formensprache des Kubismus und erschafft eine Figur zwischen Traum und Wirklichkeit.<\/p>\n<p data-start=\"2260\" data-end=\"2598\">Im Zentrum steht eine kopflose aristokratische Gestalt. Aus dem leeren Hals erhebt sich eine gro\u00dfe Wolke mit schlafenden Schafen, Sternen und kristallinen Formen, die f\u00fcr abschweifende Gedanken, Fantasien und Traumwelten stehen. Das Fehlen des Kopfes verwandelt die Figur in einen geistigen Raum, in dem das Tr\u00e4umen die Handlung ersetzt hat.<\/p>\n<p data-start=\"2600\" data-end=\"2920\">Die gehaltene Maske und das schlafende Gesicht im Kleid verweisen auf unterschiedliche Bewusstseinszust\u00e4nde, auf Identit\u00e4t und auf die Versuchung, sich in innere Welten zur\u00fcckzuziehen. Die Arbeit zeigt Tr\u00e4gheit nicht nur als k\u00f6rperliche Unt\u00e4tigkeit, sondern auch als emotionale und psychologische Distanzierung von der Realit\u00e4t.<\/p>\n<p data-start=\"2922\" data-end=\"3160\">Part of <em data-start=\"2930\" data-end=\"2953\">Als Teil der Serie Die Sieben Tods\u00fcnden<\/em> vereint das Werk die charakteristischen Elemente von Painting Queen: theatralische Aristokraten, barocke Symbolik, Identit\u00e4tsfragen und die Verbindung von Vergangenheit und Gegenwart.<\/p>\n<p data-start=\"3162\" data-end=\"3192\">","protected":false},"excerpt":{"rendered":"<p data-start=\"1990\" data-end=\"2258\">In <em data-start=\"1993\" data-end=\"2000\">Tr\u00e4gheit<\/em>interpretiert Painting Queen eine der sieben Tods\u00fcnden auf poetische und zeitgen\u00f6ssische Weise neu. Das Werk verbindet die ornamentale Pracht des Barock mit der geometrischen Formensprache des Kubismus und erschafft eine Figur zwischen Traum und Wirklichkeit.<\/p>\n<p data-start=\"2260\" data-end=\"2598\">Im Zentrum steht eine kopflose aristokratische Gestalt. Aus dem leeren Hals erhebt sich eine gro\u00dfe Wolke mit schlafenden Schafen, Sternen und kristallinen Formen, die f\u00fcr abschweifende Gedanken, Fantasien und Traumwelten stehen. Das Fehlen des Kopfes verwandelt die Figur in einen geistigen Raum, in dem das Tr\u00e4umen die Handlung ersetzt hat.<\/p>\n<p data-start=\"2600\" data-end=\"2920\">Die gehaltene Maske und das schlafende Gesicht im Kleid verweisen auf unterschiedliche Bewusstseinszust\u00e4nde, auf Identit\u00e4t und auf die Versuchung, sich in innere Welten zur\u00fcckzuziehen. Die Arbeit zeigt Tr\u00e4gheit nicht nur als k\u00f6rperliche Unt\u00e4tigkeit, sondern auch als emotionale und psychologische Distanzierung von der Realit\u00e4t.<\/p>\n<p data-start=\"2600\" data-end=\"2920\"><em data-start=\"1333\" data-end=\"1361\">\u00d6l auf Leinwand, 100 \u00d7 70 cm<\/em><br data-start=\"1361\" data-end=\"1364\" \/><em data-start=\"1364\" data-end=\"1395\">Als Teil der Serie Die Sieben Tods\u00fcnden<\/em><\/p>\n<p data-start=\"2922\" data-end=\"3160\">Part of <em data-start=\"2930\" data-end=\"2953\">Als Teil der Serie Die Sieben Tods\u00fcnden<\/em> vereint das Werk die charakteristischen Elemente von Painting Queen: theatralische Aristokraten, barocke Symbolik, Identit\u00e4tsfragen und die Verbindung von Vergangenheit und Gegenwart.<\/p>\n<p data-start=\"3162\" data-end=\"3192\">","protected":false},"featured_media":5358,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_joinchat":[]},"product_brand":[],"product_cat":[356,325,355,318,327,335],"product_tag":[],"class_list":["post-5359","product","type-product","status-publish","has-post-thumbnail","product_cat-356","product_cat-baroque","product_cat-cubism","product_cat-oil","product_cat-surrealism","product_cat-the-seven-deadly-sins","desktop-align-left","tablet-align-left","mobile-align-left","first","instock","taxable","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sloth (The Sweet Temptation of Dreams) - Painting Queen<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/paintingqueen.art\/de\/tienda\/year\/2026\/sloth\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sloth (The Sweet Temptation of Dreams) - Painting Queen\" \/>\n<meta property=\"og:description\" content=\"In Sloth, Painting Queen reinterprets one of the seven deadly sins through a poetic and contemporary lens. The painting combines the ornamental richness of the Baroque with the geometric fragmentation of Cubism, creating a figure suspended between dream and reality. A headless aristocratic woman occupies the center of the composition. From the empty neck emerges a large cloud populated by sleeping sheep, stars, and crystalline forms that evoke wandering thoughts, fantasies, and dreamlike states. The absence of the head transforms the figure into a mental landscape where dreams have replaced action. The mask she holds and the sleeping face embedded within the gown allude to different states of consciousness, constructed identities, and the temptation to retreat into inner worlds. Rather than depicting mere physical laziness, the work explores sloth as a state of emotional and psychological withdrawal from reality. 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